As the camera operator, I took a slightly different approach to analysing the poems than my fellow group members. I thought about examples of shots we could potentially use, as well as supporting my ideas with a few images. Below is the original analysation of the poem "New York at Night" that I did...
New York at Night (by Amy Lowell)
Verse 1
A near horizon whose sharp jags
Cut brutally into a sky (sunset in an empty, abandoned area e.g. coast)
A near horizon whose sharp jags
Cut brutally into a sky (sunset in an empty, abandoned area e.g. coast)
Of leaden heaviness, and crags
Of houses lift their masonry
Ugly and foul, and chimneys lie (neatly aligned homes viewed from a hill e.g. valleys)
And snort, outlined against the grey
Of lowhung cloud. I hear the sigh (clouds, fog, grey skies)
The goaded city gives, not day
Nor night can ease her heart, her anguished labours stay. (a female silhouette in the sunset)
Ugly and foul, and chimneys lie (neatly aligned homes viewed from a hill e.g. valleys)
And snort, outlined against the grey
Of lowhung cloud. I hear the sigh (clouds, fog, grey skies)
The goaded city gives, not day
Nor night can ease her heart, her anguished labours stay. (a female silhouette in the sunset)
Verse 2
Below, straight streets, monotonous,
From north and south, from east and west, (view of a village by day)
Below, straight streets, monotonous,
From north and south, from east and west, (view of a village by day)
Stretch glittering; and luminous (view
of village by night)
Above, one tower tops the rest
And holds aloft man's constant quest: (taller building that stands out e.g. church/cathedral)
And holds aloft man's constant quest: (taller building that stands out e.g. church/cathedral)
Time! Joyless emblem of the greed
Of millions, robber of the best
Which earth can give, the vulgar creed
Has seared upon the night its flaming ruthless screed.
Of millions, robber of the best
Which earth can give, the vulgar creed
Has seared upon the night its flaming ruthless screed.
Verse 3
O Night! Whose soothing presence brings
The quiet shining of the stars. (the night sky)
O Night! Whose cloak of darkness clings
So intimately close that scars
Are hid from our own eyes. Beggars
By day, our wealth is having night (people drinking/celebrating, spending money)
O Night! Whose soothing presence brings
The quiet shining of the stars. (the night sky)
O Night! Whose cloak of darkness clings
So intimately close that scars
Are hid from our own eyes. Beggars
By day, our wealth is having night (people drinking/celebrating, spending money)
To burn our souls before altars
Dim and tree-shadowed, where the light
Is shed from a young moon, mysteriously bright. (more night sky, with focus on the moon)
Dim and tree-shadowed, where the light
Is shed from a young moon, mysteriously bright. (more night sky, with focus on the moon)
Verse 4
Where art thou hiding, where thy peace?
This is the hour, but thou art not.
Will waking tumult never cease?
Hast thou thy votary forgot?
Nature forsakes this man-begot
And festering wilderness, and now
The long still hours are here, no jot
Of dear communing do I know;
Instead the glaring, man-filled city groans below! (bustling city streets, people and cars)
Where art thou hiding, where thy peace?
This is the hour, but thou art not.
Will waking tumult never cease?
Hast thou thy votary forgot?
Nature forsakes this man-begot
And festering wilderness, and now
The long still hours are here, no jot
Of dear communing do I know;
Instead the glaring, man-filled city groans below! (bustling city streets, people and cars)
-By Scarlett Clarke
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